Scottsdale Museum of Contemporary ArtGalleries 3 and 4
Lyle Ashton Harris: Blow Up
February 8, 2008 - May 27, 2008
This first museum survey of Lyle Ashton Harris’s art spans nearly twenty years of work, from the early, formal studio self-portraits for which he first gained acclaim to the large-scale constructions featured in the 2007 Venice Biennale. Harris approaches photography as a social performance. He "blows up" preconceptions of portraiture, mass-media imagery and street photography and zeroes in on the viewers’ role as a reader of images—images that are also evidence of one’s sense of self, gender and race. This exhibition is structured as a vast collage of imagery that weaves back and forth over time and reveals the artist’s dynamic, recombinant creative process.
SMOCA Website
Image © Lyle Ashton Harris
February 8, 2008 - May 27, 2008
This first museum survey of Lyle Ashton Harris’s art spans nearly twenty years of work, from the early, formal studio self-portraits for which he first gained acclaim to the large-scale constructions featured in the 2007 Venice Biennale. Harris approaches photography as a social performance. He "blows up" preconceptions of portraiture, mass-media imagery and street photography and zeroes in on the viewers’ role as a reader of images—images that are also evidence of one’s sense of self, gender and race. This exhibition is structured as a vast collage of imagery that weaves back and forth over time and reveals the artist’s dynamic, recombinant creative process.
SMOCA Website
Image © Lyle Ashton Harris
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